Opening Reception: Thursday Sept 7th 6-9pm (RSVP)
Exhibition Dates: Sept 7 – Oct 1, 2017
Location: Project Studios (184 Munro St – rear)
On September 7th we will be unveiling a new large scale painting by Brian Rideout exploring the history of mythological iconography, and how it relates to the ongoing history of painting and cinema.
Brian Rideout is a Toronto-based painter whose work investigates contemporary images, sourced from print and online, for their art historical relevance, as a continuation of the history of painting and image production. Rideout’s works comprise a narrative of art, architecture, and object following an undulating cycle of definition, utility, and design, softly dramatizing the multiple registers that art has come to occupy and employ over time as a material thing wholly existing in the world. He is interested in art as document, as decoration, as ideological accessory, as technological or functional support.
Rideout (b. 1986) studied at Georgian College (Barrie, ON) and has recently had solo exhibitions at Parisian Laundry, AC Repair Co., the Georgian College Helen and Arch Brown Center for the Visual Arts, and Evans Contemporary. Recent group shows include Spring/Break Art Fair (NYC), Art Toronto (Toronto), ‘Unkempt’ at MAW (NYC), ‘Open House’ at Sleep Center (NYC), ’9 to 5′ at Warner Gallery (Toronto), ’8 The Esplanade’ at White Condo (Toronto), ‘The Agency of Acquaintances’ at Clint Roenisch Gallery (Toronto), and ‘Taking [A] Part’ at Mercer Union (Toronto).
Opening Reception: Friday Aug 25th 6-9pm (RSVP)
Exhibition Dates: Aug 25 – Sept 3, 2017
Gentle Bodies addresses the delicate nature of intimacy, sexuality, personal boundaries and where each individual sees themselves within these topics.
Robin Clason is a light based installation artist. Primarily working with neon light sculptures, her work strives to create an alternative space and realm in which the viewer can see themselves exist and interact. Using mirrors, glass sheets and plexi glass, her work creates confusing and beautiful worlds she invites the participant to step into.
Clason was trained and learned about neon as a material in New York City in 2014. Her work has been featured at various institutions and galleries including AGO’s Massive Party, the Gardiner Museum’s SMASH, and independent galleries in San Francisco and Toronto. She will be part an upcoming show at Los Angeles at the Museum of Neon Art in September in a group show of all female neon artists.
Exhibition Dates: July 28 – Aug 20, 2017
Reception: Friday July 28th 6pm (RSVP)
Bad Geometry is an exhibition of new works by Adrienne Crossman, Brianna Lowe, Lauren Pelc-McArthur and Tobias Williams.
Adrienne Crossman is an artist, educator and curator. Her practice involves the exploration of non-normative and non-binary objects, characters and spaces, with a specific interest in queer potentialities within the non-human. Crossman creates queer interventions through the manipulation of digital media and popular culture, the re-contextualization of often-overlooked objects and artifacts, and by locating queer sensibilities in the everyday. Adrienne is currently an MFA candidate in Studio Art at the University of Windsor.
Brianna Lowe is a multi-disciplinary artist living and working in Toronto. Her practice explores the different interpretations of how the environment is experienced through the mediation of various digital media, such as 3D animation, digital collage and video. She has exhibited in Canada, the Netherlands, and the United States, as well as virtually through The Wrong Digital Art Biennial. She currently holds a Bachelor’s in Fine Arts from OCAD University and a Post Graduate Certificate in Video Game Design from George Brown College. She has worked as an artist assistant for a number of prominent Canadian artists, most notably Jon Rafman and Alex Macleod.
Lauren Pelc-McArthur is an emerging visual artist from Toronto currently based in Montreal. Through painting and digital imaging she responds to agitations between painting and screen culture. Her new work alludes to scenes of modern age boredom altered through a lens of mark-making influenced by screens and painterly tactics. Pelc-McArthur has shown her work internationally. She has participated in residencies in Canada, abroad and online. She has received several awards including grants from the Ontario Arts Council and the Toronto Arts Council. Pelc-McArthur is an MFA Candidate at Concordia University.
Tobias Williams is a Toronto based visual artist and educator. His art practice is concerned with the historical and contemporary relationship between art, society and technology. His recent work has been exploring the concept of “Digital Ontology;” how we conceive of objects in digital spaces and how these digital objects interact with and change our perception of the physical world. Tobias has shown work in exhibitions locally and internationally, recent exhibitions include “Vistas” at the Banff Centre for the Arts, “Genuflexion” at Creamy gallery in Chicago and “Unkempt” at MAW GURU in Manhattan. He currently works as an instructor at OCADU and humber College in Toronto.
Project Studios is located at 184 Munro St (rear) and open by appointment and for receptions only. Please direct inquiries to email@example.com
Callen Schaub x Stef Eleoff
‘Body of Colour’
Opening Reception: Friday May 5, 6-9pm
Exhibition Dates: May 6-28, 2017
Presented in conjunction with CONTACT Photography Festival
PROJECT STUDIOS 184 Munro St.
(back entrance near the loading bay)
Friday May 5th, 6-9pm
Live model painting performances at 6:30pm & 8:30pm
By Appointment May 6th-28th, 2017
Contact firstname.lastname@example.org | 647.377.1677
Body of Colour is a collaboration between abstract painter, Callen Schaub and fashion photographer, Stef Eleoff. The exhibit focuses on the mixing and pouring of paint over the human form. Paint covered models are spun and photographed, captured in moments of elegance and wonder. Schaub and Eleoff both push their artistic practices by collaborating on this new and experimental project.
\’flō\ is a performative site specific installation by Nadine Bariteau that will take form between the 17th and the 21st of April 2017
The installation will occur over the course of a week and will culminate with a Spring Reception on Friday 21th at 8:00pm
To see the installation in progress: from 18th to 20th at 8:30pm
Last chance to meet with the artist when she teardown on Sunday 23rd at 8:30pm
Direct inquiries to devan@projectgallerytoront
Exhibition: Fri, February 3 – Sun, February 26
Reception: Fri, February 3 6-10pm
Alli Boddy’s solo exhibition ‘Where No One Will Find Us’ explores the intersection of figure and landscape. Inspired by her personal connection to nature, her figure/landscape narratives represent the lived experience. Her subjects, which include herself and those close to her, all appear to exude a freedom of spirit. Alli is a strong believer in nature’s ability to transcend and portrays her subjects not gazing at the viewer, but focused in their own moment, venturing off into forests or teetering on cliff’s edge.
Opening Reception: Thursday Nov 17th 6-9pm (RSVP)
Exhibition Dates: Nov 17 – Jan 29, 2017
at Project Gallery Studios (184 Munro St – back entrance)
Librarians, Books and Clouds is Cliff Eyland’s first solo exhibition in Toronto since 2009. The show includes 300 works, all 3″x5″ acrylic and/or mixed media paintings.
Since 1981 Cliff Eyland has been making art the size of the traditional 3″ by 5″ library catalogue card. His paintings, drawings, and photographs are shown in both libraries and art galleries. He has also inserted thousands of original drawings in library books in Canada and the United States.
Several major Canadian art galleries have mounted solo exhibitions and installations of Eyland’s work, including the Art Gallery of Ontario, the National Gallery of Canada’s Library & Archives, the Winnipeg Art Gallery, The New School University, and the Art Gallery of Nova Scotia. He has also participated in group exhibitions in many venues, and his work is in many public and private collections.
Eyland’s public commissions include a 600 piece installation at Edmonton’s Meadows Library, a 5000 work piece at Halifax’s Central Library, a 1000 work piece for the Winnipeg Millennium Library, and an 8 painting per room set of works at Winnipeg’s Alt Hotel.
Contact email@example.com for inquiries and appts
Oct 22 – Nov 13, 2016
Opening reception: Sat Oct 22nd, 6-9pm (RSVP)
Project Gallery Studios (184 Munro St – back entrace)
Nick Bierk studied painting at the Rhode Island School of Design. He has exhibited work across Canada and the United States. Nick’s portrait, landscape and still life works are highly realistic yet conceptually enigmatic.
If David had a fault, it was to be too good at too many things, never denying his constantly burgeoning curiousities long enough to focus on any one thing. In the maelstrom of his creative energies, his boys found their own moorage, and Nick, I think, fastened on to his father’s interest in precedent, history, and the myriad ways painting can be made. Look at David’s diptych Landscape with Manet Flowers, from 2002, the year he died, and you’ll see: the charged, naturalistic intensity of the light in the left panel, a haze of golden sun crackling as it cascades from cloud and tree below, counterbalances the mannered impressionism of a vase, static and lifeless, on a table.
Excerpt from exhibition catalogue AFTER, text by Murray White