Archive | Past Exhibitions – Gallery

Dominique Fung & Georgina Lee Walker: ‘Physic Gardens’

PicMonkey Collage

Dominique Fung & Georgina Lee Walker 



Exhibition Dates: July 28th – August 14th, 2016
Opening Reception: Thursday July 28th, 6-9 PM
Exhibition Location: Project Gallery Toronto, 1109 Queen St E, Wed-Sun 12-5

Opening Reception: Thursday July 28th, 6-9 PM 
Exhibition Location: Project Gallery Toronto, 1109 Queen St E, Wed-Sun 12-5
Physic Gardens: A historical type of herb garden devoted to the cultivation and display of medicinal healing plants.The works of Dominique Fung and Georgina Lee Walker focus on presenting environments that deal with personal narratives and conflicts. Through painting, both artists find a sense of personal validation by creating safe spaces and environments that often take on a lush and dreamlike quality. In a time when talking about personal struggle is almost faux pas, these artists use their artistic practice as an opportunity to gain insight and contribute to personal and collective discussions around racial identity, feminism, and disability.Dominique Fung takes a critical view on the cultural diaspora between seemingly separate identities. Having grown up in a first generation Chinese-Canadian household, she references her experience with white washing in her adolescence. Fung’s work deals with the cultural confusion of having to coincide and adopt the dominant culture and values. Her paintings combine disparate elements of Chinese kitsch/mythology with iconic imagery of 20 th century Canadian landscape paintings to create a dreamlike environment, which is a personal safe space. Fung’s tongue-in- cheek paintings intend to confront invisibility as a serious and complex topic.Georgina Walker present body of work addresses and confronts her attempt to break through personal barriers in regards to femininity, disability, memories, and their resulting anxiety and insecurity. The use of literal and illusionistic barriers is a way to create narrative and speak subtly about experiences from her own life. In Walker’s work, these barriers include fencing, glass blocks, or even fogged glass. The use of soft, saccharine or glazed color is a deliberate way to subvert these spaces and make them into nurturing environments, while the introduction of plants is intended as an allusion to growth.

Physic Garden Artist Catalog

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James Olley: ‘Rock – Paper – Scissors’

James Olley

Rock – Paper – Scissors

July 7- 24, 2016
Opening Reception: Thurs. July 7th, 6-9pm
Rock-Paper-Scissors is a hand game many of us played as children with three outcomes, guided by decisions within a set of parameters. Like the game, Olley establishes a series of parameters which are guided by a process consisting of an action and reaction. Through this process, autonomous, self-generating subject matter is revealed. The use of materials like charcoal, paper and scissors informs the series of collages and paintings.
Olleys work has had an ongoing interest with the fluidity and potential for motion in paint, exploring systems for representation and modes of expression informing visual languages. His research has been informed by the continuation of the modernist critique, leading to questions of authenticity, autonomy and the role of painting in contemporary art.
The expressive and exploratory nature of collage historically offers an experimental space to incorporate multiple visual languages. Surrealist writings by André Breton and Robert Motherwell’s writings on the search for a philosophical spirit, psychic automatism and the task of finding a “creative principal” have informed the scope of Olleys works.
James Olley received his MFA from the University of Waterloo in 2008 after completing his BFA at NSCAD University in Halifax, Nova Scotia in 2004. Since graduating Olley has had a number of solo shows locally and internationally; Angell Gallery (Toronto), Galerie Trois Points (Montreal), Peter Robertson Gallery (Edmonton), Kasia Kay Art Projects (Chicago), Incident Report (New York) and Dundee Contemporary Arts (Scotland), Galerie Weissraum, (Kyoto, Japan); and Groenhazengracht 1, (Leiden, Netherlands). Olley’s work belongs to private collections such as Colart Collection (Montreal) and Cenovus Energy (Edmonton). Olley has been awarded Emerging & Assistance Artist Grants (Toronto Arts Council & Ontario Arts Council), in addition, received full scholarship to the Vermont Studio Center Residency (2009). Olley’s work has been profiled at contemporary art fairs, including Pulse New York, Pulse Miami, Papier 13 and Next Chicago.
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Colin Davis & Ki Sung Koh


June 16th- July 3rd, 2016

Reception: Thurs June 16, 6-9





Colin Davis

‘The Grove’

Colin W Davis explores intimate moments in nature by arranging mundane natural objects into symbolic shrines. Common sticks, rocks and leaves that would ordinarily be ignored gain a sense of importance through being observed, and then are honoured further through the act of careful painting from life.

The Grove explores the tradition of animism, the belief that “spirits” exist in all things including animals, plants and rocks. This tradition is connected to many indigenous religions throughout the world and is often associated with ritual, superstition and magic. The objects in this body of work are all arranged centrally and highlighted against a dark background, separating them from an imagined landscape and revealing their sanctitude.

Colin W Davis is a Toronto-based painter. He is a graduate of the BAA Illustration program at Sheridan College.

Colin Davis Artist Catalog


Ki Sung Koh

‘Way of Life’

Ki Sung Koh explores the beauty of nature, memories and dreams. His works depict imaginative worlds in which animals bask in the security of their environments.

Koh’s images share his view on the preciousness of nature in hopes of connecting people through an act of discovery in his paintings. As you see, feel, and hear animals, you will also find more of yourself.

Ki Sung Koh was born in South Korea in 1985 and moved to Canada in 2006. He now lives and works around Toronto. Koh has received BAA in Illustration program from Sheridan College, ON, Canada in 2012.

Ki Sung Koh Artist Catalog

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DIVERSIONS: Ravinder Rai & Sebastián Benítez Duo Exhibition

Opening Reception: Thursday April 28th 6-10pm
Exhibition Dates: April 28 – May 15, 2016
DIVERSIONS showcases the photographic outcomes of an ongoing artistic dialogue between emerging artists Ravinder Rai and Sebastián Benítez. Engaging in themes of contemporary identity, culture, image, objects, commodification, and sexuality, this exhibition shares a process of awareness and discovery as Rai and Benítez photographically respond to each other’s work. Featuring playful and clever self-portraits and still life photographs, this exhibition also incorporates elements of installation and mixed media.
Sebastián Benítez
Ravinder Rai
Curated by Devan Patel
This exhibition is Featured with the CONTACT Photography Festival 2016
Project Gallery is located at 1109 Queen St E and open regularly Wed-Sun 12-5pm
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Meredith Wrede ‘Angel of Paradox’

Tunnel (1)


Meredith Wrede ‘Angel of Paradox’
Reception: Thursday, May 19th, 6-9pm
Exhibition Dates: May 18th – June 12th

Meredith Wrede is an independent dance artist who uses greater Toronto as a backdrop for her performances and incarnations of different characters. She originally stepped off the stage and onto the streets to find a venue where she could stay true to her original artistic ideas. She also felt the desire to create public art, accessible to others, not just the paying customer. The Angel of Paradox came into existence when Meredith was entertaining and investigating ideas around opposites existing within the same space. The intent of this exhibit is to offer a vicarious experience of a Merediths’ performance as the Angel of Paradox that happened around Cherry Street in Toronto in 1999. Reflecting on what happens in the moment when hot and cold mingle, love and hate merge, pain and pleasure collide, she noticed that up through the cracks, produced by the confusion of paradox, rises possibilities. These often delightful ideas induce playful moments, and bring an easy way to engage in the prospect of embracing something new. Meredith has her BFA in dance from York University and studied at the School of Toronto Dance Theatre. She danced with Equinoxe Dance Theatre in Johannesburg South Africa, Djazzin’ in Dortmund Germany; She was an artistic director of the Collective Unconscious Collective, the director of Toronto Dance Theatre’s Children’s division and Associate director for Evolution Dance Theatre. She has created numerous choreographies for FFIDA in Toronto for both the stage and site-specific venues, and danced for other independent dance artists as well as the Caravan Stage Barge. She has created many characters for short films and gorilla performances. As an artist Meredith is interested in scanning the scope of what’s happening in the world and, with broad strokes, offering her own creative solutions; in hopes that it encourages others to set their fears aside and engage in the world in a way that allows them to follow, or, at least notice, the nudges they feel from behind.

Image: Meredith Wrede, Tunnel
*This exhibition is officially registered as part of the 2016 Contact Photography Festival

Photography credit: Marilyn Westlake

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Spolia Opima: Ted Zourntos Solo Exhibition, April 7 – April 24


Opening Reception: Thursday April 7, 6-9pm

Exhibition Dates: April 7 –  April 24, 2016

With his latest series of paintings Ted Zourntos continues to probe and interrogate the inner workings of consumer culture. Spoila Opima or “rich spoils” is an ancient Roman term referring to the plunder and riches striped from a defeated combatant in mortal combat. These complex still life paintings connect consumerism, the oil economy and military conflict through subtle and satirical juxtapositions of throw away dollar store trinkets and novelties. Through his paintings. the artist dismantles notions of value to reveal the systematic dysfunction within contemporary consumer culture.

Ted Zourntos is a professional artist and educator with a versatile and accomplished painting practice that encompasses both abstract and representational work. He has exhibited in North America including a solo exhibition at Sloan Fine Art in New York City. Ted completed his undergraduate studies at the Ontario College of Art and Design (now OCAD University) and his Master of Fine Art at the Pennsylvania Academy of the Fine Arts in Philadelphia, PA. He is the recipient of several academic and professional awards and his work has been featured in international art publications. Several of his paintings are in private collection.

Project Gallery is located at 1109 Queen St E, open regularly Wed-Sun 12-5pm and by appointment. Please direct inquiries to

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PROSPECTOR: Sara Pearson Solo Exhibition, March 17 – April 3


Opening Reception: Thursday March 17, 6-9pm

Exhibition Dates: March 17 –  April 3, 2016
The paintings and sculptures in PROSPECTOR, inspired by geological and gemmological formations, remind us of the strange and sublime beauty of nature. Gemstones, as coveted objects, present a complicated relationship between the natural world and us; As we hunt, collect and refine them, they become instilled with human values. In this body of work, Sara Pearson deconstructs and reinterprets their forms, removing facets and breaking stones into abstract shards, highlighting internal depths and building new structure. By pulling apart our vision of the perfect gem, she removes preconceived notions attached to it and focuses us on its extraordinariness. Pearson navigates this course through her early relationship to these materials; Growing up in her father’s jewellery studio instilled a sense of wonder in the presence of these otherworldly objects. She continues to live in awe of them, relating her art practice to that of an explorer, a treasure hunter.

Pearson chooses subjects and materials for their relationship to the natural world, using the optical phenomena that exist within cut gemstones to inspire her oil paintings; bronze, copper, marble, and terra-skin paper made from stone are some of the materials that form her sculptures and installations. Working primarily with “analogue” methods, she plays with the dichotomy of traditional process in an increasingly digital world, pushing abstraction while honouring the process of mimesis.

Sara Pearson is a Toronto based artist who graduated with a BFA from the Ontario College of Art and Design University.

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Blanking Field: February 25 – March 13


Opening Reception:
Thursday February 25, 6-9pm

Exhibition Dates: Thu, February 25 – Sun, March 13

Lauren Pelc-McArthur’s art practice responds to the melding of visual culture with digital technology, challenging the boundaries of digital art and traditional painting. Her interdisciplinary approach begins with the conventional organizing principles of portraits and landscapes, yet these principles are present in vague forms and broken into fragments, one mark disrupts another and competes for space with a third. Bold colours are used to tantalize and repel – resembling neurons that fire like neon lights as viewers cycle through headlines, listicles, and infinite scrolls. Fluctuating between various styles of painting, Pelc-McArthur unsettles the boundaries of figuration and abstraction to articulate the feelings of ‘sensory overload’ that are derived from the endless consumption of digital information.

Born in 1989, Lauren Pelc-McArthur is an emerging artist from Toronto. Graduating from the Ontario College of Art & Design (2012) with a Bachelor of Fine Art in Drawing and Painting, Pelc-McArthur responds to various facets of technology and internet culture through painting, sculpture and 3-D animation. Recipient of an emerging visual artist grant from the Toronto Arts Council in 2014, she has participated in International and Canadian residencies including the Roundtable Residency in Toronto.

Project Gallery is located at 1109 Queen St E
Open regularly Wed-Sun 12-5pm or by appointment
Please direct inquiries to
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chordata: February 4 – 21

Chordata Image


Opening Reception: February 4, 6-10pm

Exhibition Dates: Thu, February 4 – Sun, February 21

chordata is an exhibition of new drawings by Brett Despotovich which investigate resonance and interference, harmony and discord.
Continuing with the direction of his previous exhibitions (the fall) (2014) and Black is the Ultimate, Black Eclipses Everything (2015), the work in chordata is informed by the intersecting points of his scientific and mythological interests.

Born in Toronto, Ontario in 1982, Despotovich studied at OCADU (2001-05), followed by his involvement with the production of FLicKeR, a multi-award winning feature-length NFB/BRAVO! documentary directed by Nik Sheehan. His debut solo exhibition (the fall) was reviewed by Benjamin Bruneau for Magenta Magazine, and he has work held in private collections in Europe, the United States, and Canada, notably the Sobey Collection.

Project Gallery is located at 1109 Queen St E
Open regularly Wed-Sun 12-5pm or by appointment
Please direct inquiries to
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Athenaeum: Jan 15-31

Form Index
Opening Reception: Friday Jan 15th from 6-10pm
Exhibition Dates: Jan 15-31, 2016

Project Gallery is pleased to present the first solo exhibition featuring artist Camille Jodoin-Eng.
Jodoin-Eng’s work engages with the spatial and sensory properties of light by using mirrors to create illusions of space. In an experiment to visually unfold abstract concepts of expanding space, she translates compositions through orthographic drawings, paper and digital models into glowing sci-fi devices made from plastic, wood, metal and electrical components. She constructs optical instruments that embody a dualistic infinity, where the internal depths of the mind are projected into the vastness of infinite space. The interplay between physical and psychological space is emphasized by the illusion of impossible dimensions and perspective.
Project Gallery is located at 1109 Queen St E
Open regularly Wed-Sun 12-5pm or by appointment
Please direct inquiries to
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